Electroacoustic Composition Audio

Declaration and Copyright

This website offers access to a variety of scores composed for an eclectic range of acoustic instruments and ensembles, spanning from solos and duets through to chamber orchestra with percussion. This site also includes a collection of electroacoustic and acousmatic compositions with accompanying scores, audio and selections of sound samples for public access and potential use for student composers and researchers, along with sound samples from a small selection of recording projects that the composer has been involved with recently in his alter ego as a studio producer.

This research is made available for public access and peer review, but Dr. Ian Percy retains full ownership and copyright for all intellectual property, media resources and text, and should be formally accredited for any and all references to, or use of, these materials.

ianpercy.me.uk ©2019

Electroacoustic Compositions :

Mictlan

Electroacoustic Composition 1

 

Single Movement for amplified bass recorder, live digital effects and tape
(2003/04) (Score revised 2009)

Mictlan (EAS) Studio Recording 2004 (Mp3)

Electroacoustic Composition 1

An Individual Voice

Electroacoustic Composition 2

Single Movement in tripartite form for multiple paired-stereo speaker analogue diffusion
(Acousmatic) (2005)

Individual Voice (Acousmatic) Studio Master 2005 (Mp3)

Electroacoustic Composition 2

The Bug

Electroacoustic Composition 3

Single Movement for multiple paired-stereo speaker analogue diffusion
(Acousmatic) (2005)

The Bug (Acousmatic) Studio Recording 2005 (Mp3)

Electroacoustic Composition 3

Quartet of Conversations

Electroacoustic Composition 4

Single movement of continuous sound for concrete media (loudspeakers)
(Acousmatic) (2006)

Quartet of Conversations (Acousmatic) Studio Master 2006 (Mp3)

Electroacoustic Composition 4

When a Snake Eats its Own Tail

Electroacoustic Composition 5a

Single Movement for amplified Bb clarinet, live digital effects and 8-channel tape
(2007/08) (Score revised 2013)

Snake Eats Own Tail (Intro) Cox Studio Recording 2007 (Mp3)

Electroacoustic Composition 5a

When a Snake Eats its Own Tail

Electroacoustic Composition 5b

Single Movement for amplified Bb clarinet, live digital effects and 8-channel tape
(2007/08) (Score revised 2013)

Snake Eats Own Tail (End) Cox Studio Recording 2007 (Mp3)

Electroacoustic Composition 5b

When a Snake Eats its Own Tail

Electroacoustic Composition 5c

Single Movement for amplified Bb clarinet, live digital effects and 8-channel tape
(2007/08) (Score revised 2013)

Snake Eats Own Tail (Complete) Cox Live 261107 (Mp3)

Electroacoustic Composition 5c

Circular Rhythms and Natural Patterns

Electroacoustic Composition 6

Acousmatic Movement of Continuous Sound
(2007)

Circular Rhythms (Acousmatic) Studio Master 2007 (Remixed 2013) (Mp3)

Electroacoustic Composition 6

Equidistance – An African Hymn of Praise

Electroacoustic Composition 7

Single Movement of continuous sound for Bb clarinet, live digital effects and tape
(2007/13)

Circular Rhythms (Electroacoustic) Cox Studio 2007 (Remixed 2013) (Mp3)

Electroacoustic Composition 7

Odd! Pianos: Sound, Noise AND Music?

Electroacoustic Composition 8

Single Movement of continuous sound and crescendo for piano and tape
(2002/10)

Odd Pianos (Recomposed) (Electroacoustic) Buckle Live 241110 (Mp3)

Electroacoustic Composition 8

A Chill Breeze

Electroacoustic Composition 9a

Single Movement for amplified orchestral harp and tape
(2009/10)

Chill Breeze (Electroacoustic) Hugo Studio 2010 (Mp3)

Electroacoustic Composition 9a

A Chill Breeze

Electroacoustic Composition 9b

Single Movement for amplified orchestral harp and tape
(2009/10)

Chill Breeze (Electroacoustic) Hugo Live 241110 (Mp3)

Electroacoustic Composition 9b

Acousmatic Chakras

Electroacoustic Composition 10a

Variable form multiple movement or fixed single movement
for multiple stereo loudspeaker surround sound analogue diffusion (2011/12)

Prologue – White Light – Introduction Studio Master 2012 3’16” (Mp3)

Electroacoustic Composition 10a

Acousmatic Chakras

Electroacoustic Composition 10b

Variable form multiple movement or fixed single movement
for multiple stereo loudspeaker surround sound analogue diffusion (2011/12)

Acousmatic Chakras 1-3 Meso Form Studio Master 2012 13’08” (Mp3)

Electroacoustic Composition 10b

Acousmatic Chakras

Electroacoustic Composition 10c

Variable form multiple movement or fixed single movement
for multiple stereo loudspeaker surround sound analogue diffusion (2011/12)

Void – Ocean of Illusions - Interlude Studio Master 2012 4’02” (Mp3)

Electroacoustic Composition 10c

Acousmatic Chakras

Electroacoustic Composition 10d

Variable form multiple movement or fixed single movement
for multiple stereo loudspeaker surround sound analogue diffusion (2011/12)

Acousmatic Chakras 4-7 Meso Form Studio Master 2012 10’22” (Mp3)

Electroacoustic Composition 10d

Acousmatic Chakras

Electroacoustic Composition 10e

Variable form multiple movement or fixed single movement
for multiple stereo loudspeaker surround sound analogue diffusion (2011/12)

Epilogue – White Light – Conclusion Studio Master 2012 3’00” (Mp3)

Electroacoustic Composition 10e

Acousmatic Chakras

Electroacoustic Composition 10f

Variable form multiple movement or fixed single movement
for multiple stereo loudspeaker surround sound analogue diffusion (2011/12)

Acousmatic Chakras Meta Form Studio Master 2012 34’00” (Mp3)

Electroacoustic Composition 10f

Acousmatic Chakras

Electroacoustic Composition 10q

Variable form multiple movement or fixed single movement
for multiple stereo loudspeaker surround sound analogue diffusion (2011/12)

Acousmatic Chakras Balance Alternate Mix (Mp3)

Electroacoustic Composition 10q

Acousmatic Chakras

Electroacoustic Composition 10r

Variable form multiple movement or fixed single movement
for multiple stereo loudspeaker surround sound analogue diffusion (2011/12)

Acousmatic Chakras Earth Alternate Mix (Mp3)

Electroacoustic Composition 10r

Acousmatic Chakras

Electroacoustic Composition 10s

Variable form multiple movement or fixed single movement
for multiple stereo loudspeaker surround sound analogue diffusion (2011/12)

Acousmatic Chakras 1&2 Alternate Mix (Mp3)

Electroacoustic Composition 10s

Acousmatic Chakras

Electroacoustic Composition 10t

Variable form multiple movement or fixed single movement
for multiple stereo loudspeaker surround sound analogue diffusion (2011/12)

Acousmatic Chakras 2&3 Alternate Mix (Mp3)

Electroacoustic Composition 10t

Acousmatic Chakras

Electroacoustic Composition 10u

Variable form multiple movement or fixed single movement
for multiple stereo loudspeaker surround sound analogue diffusion (2011/12)

Acousmatic Chakras 4&5 Alternate Mix (Mp3)

Electroacoustic Composition 10u

Acousmatic Chakras

Electroacoustic Composition 10v

Variable form multiple movement or fixed single movement
for multiple stereo loudspeaker surround sound analogue diffusion (2011/12)

Acousmatic Chakras 5-7 Alternate Mix (Mp3)

Electroacoustic Composition 10v

Acousmatic Chakras

Electroacoustic Composition 10w

Variable form multiple movement or fixed single movement
for multiple stereo loudspeaker surround sound analogue diffusion (2011/12)

Acousmatic Chakras 2 NoSitarMix (Mp3)

Electroacoustic Composition 10w

Acousmatic Chakras

Electroacoustic Composition 10x

Variable form multiple movement or fixed single movement
for multiple stereo loudspeaker surround sound analogue diffusion (2011/12)

Acousmatic Chakras 4 NoSitarMix (Mp3)

Electroacoustic Composition 10x

Infinite Moment

Electroacoustic Composition 11

 

Single Movement for amplified orchestral piano and tape

Infinite Moment (EAS) Hamer Live 231112 (Mp3)

Electroacoustic Composition 11

Rotations and Resonances

Electroacoustic Composition 12

Single Movement for amplified string quartet, pre-composed tape,
amplified piano resonances and interactive concrete sound. (2012)

Rotations & Resonances (EAS) Smith Quartet Live 031212 (Mp3)

Electroacoustic Composition 12

Electroacoustic Chakras

Electroacoustic Composition 13a

Variable form multiple movement or fixed single movement for structured improvisation:
Version for vocals, bansuri, sarangi, tabla, interactive sound and fixed media. (2011/13)

Electroacoustic Chakras Meta Form Studio Master 2013 (Mp3)

Acoustic Composition 13a

Electroacoustic Chakras

Electroacoustic Composition 13b

Variable form multiple movement or fixed single movement for structured improvisation:
Version for vocals, bansuri, sarangi, tabla, interactive sound and fixed media. (2011/13)

Electroacoustic Chakras 6&7 (Voice) Sharma Live 231112 (Mp3)

Acoustic Composition 13b

Electroacoustic Chakras

Electroacoustic Composition 13c

Variable form multiple movement or fixed single movement for structured improvisation:
Version for vocals, bansuri, sarangi, tabla, interactive sound and fixed media. (2011/13)

Electroacoustic Chakras Prologue Alternate Mix (No Vocals) Studio 2013 (Mp3)

Electroacoustic Composition 13c

Electroacoustic Chakras

Electroacoustic Composition 13d

Variable form multiple movement or fixed single movement for structured improvisation:
Version for vocals, bansuri, sarangi, tabla, interactive sound and fixed media. (2011/13)

Electroacoustic Chakra 3 (Abridged) Studio 2013 (Mp3)

Electroacoustic Composition 13d

Electroacoustic Chakras

Electroacoustic Composition 13e

Variable form multiple movement or fixed single movement for structured improvisation:
Version for vocals, bansuri, sarangi, tabla, interactive sound and fixed media. (2011/13)

Electroacoustic Chakra 5 Alternate Mix (No Vocals) Studio 2013 (Mp3)

Electroacoustic Composition 13e

Electroacoustic Chakras

Electroacoustic Composition 13f

Variable form multiple movement or fixed single movement for structured improvisation:
Version for vocals, bansuri, sarangi, tabla, interactive sound and fixed media. (2011/13)

Electroacoustic Chakras Epilogue Studio 2013 (Mp3)

Electroacoustic Composition 13f

Chance Encounter

Electroacoustic Composition 14a

Variable form single movement for interactive 8-channel fixed media, or four movements on a relative theme
for multiple-stereo analogue surround-sound diffusion. (2010/13)

Chance Encounter (Acousmatic) Ground Canvas (Mp3)

Electroacoustic Composition 14a

Chance Encounter

Electroacoustic Composition 14b

Variable form single movement for interactive 8-channel fixed media, or four movements on a relative theme
for multiple-stereo analogue surround-sound diffusion. (2010/13)

Chance Encounter (Acousmatic) Speakers 1 & 2 (Mp3)

Electroacoustic Composition 14b

Chance Encounter

Electroacoustic Composition 14c

Variable form single movement for interactive 8-channel fixed media, or four movements on a relative theme
for multiple-stereo analogue surround-sound diffusion. (2010/13)

Chance Encounter (Acousmatic) Speakers 3 & 4 (Mp3)

Electroacoustic Composition 14c

Chance Encounter

Electroacoustic Composition 14d

Variable form single movement for interactive 8-channel fixed media, or four movements on a relative theme
for multiple-stereo analogue surround-sound diffusion. (2010/13)

Chance Encounter (Acousmatic) Speakers 5 & 6 (Mp3)

Electroacoustic Composition 14d

Chance Encounter

Electroacoustic Composition 14e

Variable form single movement for interactive 8-channel fixed media, or four movements on a relative theme
for multiple-stereo analogue surround-sound diffusion. (2010/13)

Chance Encounter (Acousmatic) Speakers 7 & 8 (Mp3)

Electroacoustic Composition 14e

Chance Encounter

Electroacoustic Composition 14f

Variable form single movement for interactive 8-channel fixed media, or four movements on a relative theme
for multiple-stereo analogue surround-sound diffusion. (2010/13)

Chance Encounter (Acousmatic) Stereo Mix-down (Version 1) (Mp3)

Electroacoustic Composition 14f

Rotations and Resonances Triptych (Part Three)

Electroacoustic Composition 15

 

Single movement of continuous sound for fixed concrete media (loudspeakers) (2012/15)

Rotations Part Three (Acousmatic) Studio Master 2015 (Mp3)

Electroacoustic Composition 15

Post-Electroacoustic Acousmatic Chakras

Electroacoustic Composition 16

Post-Electroacoustic Acousmatic Arrangement for multiple loudspeaker analogue diffusion

Post EAS Acousmatic Chakras Continual Form Master (Mp3)

Electroacoustic Composition 16

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