Electroacoustic Composition Audio
Declaration and Copyright
This website offers access to a variety of scores composed for an eclectic range of acoustic instruments and ensembles, spanning from solos and duets through to chamber orchestra with percussion. This site also includes a collection of electroacoustic and acousmatic compositions with accompanying scores, audio and selections of sound samples for public access and potential use for student composers and researchers, along with sound samples from a small selection of recording projects that the composer has been involved with recently in his alter ego as a studio producer.
This research is made available for public access and peer review, but Dr. Ian Percy retains full ownership and copyright for all intellectual property, media resources and text, and should be formally accredited for any and all references to, or use of, these materials.
ianpercy.me.uk ©2019
Electroacoustic Compositions :
Mictlan
Electroacoustic Composition 1
Single Movement for amplified bass recorder, live digital effects and tape
(2003/04) (Score revised 2009)
Mictlan (EAS) Studio Recording 2004 (Mp3)
Electroacoustic Composition 1
An Individual Voice
Electroacoustic Composition 2
Single Movement in tripartite form for multiple paired-stereo speaker analogue diffusion
(Acousmatic) (2005)
Individual Voice (Acousmatic) Studio Master 2005 (Mp3)
Electroacoustic Composition 2
The Bug
Electroacoustic Composition 3
Single Movement for multiple paired-stereo speaker analogue diffusion
(Acousmatic) (2005)
The Bug (Acousmatic) Studio Recording 2005 (Mp3)
Electroacoustic Composition 3
Quartet of Conversations
Electroacoustic Composition 4
Single movement of continuous sound for concrete media (loudspeakers)
(Acousmatic) (2006)
Quartet of Conversations (Acousmatic) Studio Master 2006 (Mp3)
Electroacoustic Composition 4
When a Snake Eats its Own Tail
Electroacoustic Composition 5a
Single Movement for amplified Bb clarinet, live digital effects and 8-channel tape
(2007/08) (Score revised 2013)
Snake Eats Own Tail (Intro) Cox Studio Recording 2007 (Mp3)
Electroacoustic Composition 5a
When a Snake Eats its Own Tail
Electroacoustic Composition 5b
Single Movement for amplified Bb clarinet, live digital effects and 8-channel tape
(2007/08) (Score revised 2013)
Snake Eats Own Tail (End) Cox Studio Recording 2007 (Mp3)
Electroacoustic Composition 5b
When a Snake Eats its Own Tail
Electroacoustic Composition 5c
Single Movement for amplified Bb clarinet, live digital effects and 8-channel tape
(2007/08) (Score revised 2013)
Snake Eats Own Tail (Complete) Cox Live 261107 (Mp3)
Electroacoustic Composition 5c
Circular Rhythms and Natural Patterns
Electroacoustic Composition 6
Acousmatic Movement of Continuous Sound
(2007)
Circular Rhythms (Acousmatic) Studio Master 2007 (Remixed 2013) (Mp3)
Electroacoustic Composition 6
Equidistance – An African Hymn of Praise
Electroacoustic Composition 7
Single Movement of continuous sound for Bb clarinet, live digital effects and tape
(2007/13)
Circular Rhythms (Electroacoustic) Cox Studio 2007 (Remixed 2013) (Mp3)
Electroacoustic Composition 7
Odd! Pianos: Sound, Noise AND Music?
Electroacoustic Composition 8
Single Movement of continuous sound and crescendo for piano and tape
(2002/10)
Odd Pianos (Recomposed) (Electroacoustic) Buckle Live 241110 (Mp3)
Electroacoustic Composition 8
A Chill Breeze
Electroacoustic Composition 9a
Single Movement for amplified orchestral harp and tape
(2009/10)
Chill Breeze (Electroacoustic) Hugo Studio 2010 (Mp3)
Electroacoustic Composition 9a
A Chill Breeze
Electroacoustic Composition 9b
Single Movement for amplified orchestral harp and tape
(2009/10)
Chill Breeze (Electroacoustic) Hugo Live 241110 (Mp3)
Electroacoustic Composition 9b
Acousmatic Chakras
Electroacoustic Composition 10a
Variable form multiple movement or fixed single movement
for multiple stereo loudspeaker surround sound analogue diffusion (2011/12)
Prologue – White Light – Introduction Studio Master 2012 3’16” (Mp3)
Electroacoustic Composition 10a
Acousmatic Chakras
Electroacoustic Composition 10b
Variable form multiple movement or fixed single movement
for multiple stereo loudspeaker surround sound analogue diffusion (2011/12)
Acousmatic Chakras 1-3 Meso Form Studio Master 2012 13’08” (Mp3)
Electroacoustic Composition 10b
Acousmatic Chakras
Electroacoustic Composition 10c
Variable form multiple movement or fixed single movement
for multiple stereo loudspeaker surround sound analogue diffusion (2011/12)
Void – Ocean of Illusions - Interlude Studio Master 2012 4’02” (Mp3)
Electroacoustic Composition 10c
Acousmatic Chakras
Electroacoustic Composition 10d
Variable form multiple movement or fixed single movement
for multiple stereo loudspeaker surround sound analogue diffusion (2011/12)
Acousmatic Chakras 4-7 Meso Form Studio Master 2012 10’22” (Mp3)
Electroacoustic Composition 10d
Acousmatic Chakras
Electroacoustic Composition 10e
Variable form multiple movement or fixed single movement
for multiple stereo loudspeaker surround sound analogue diffusion (2011/12)
Epilogue – White Light – Conclusion Studio Master 2012 3’00” (Mp3)
Electroacoustic Composition 10e
Acousmatic Chakras
Electroacoustic Composition 10f
Variable form multiple movement or fixed single movement
for multiple stereo loudspeaker surround sound analogue diffusion (2011/12)
Acousmatic Chakras Meta Form Studio Master 2012 34’00” (Mp3)
Electroacoustic Composition 10f
Acousmatic Chakras
Electroacoustic Composition 10q
Variable form multiple movement or fixed single movement
for multiple stereo loudspeaker surround sound analogue diffusion (2011/12)
Acousmatic Chakras Balance Alternate Mix (Mp3)
Electroacoustic Composition 10q
Acousmatic Chakras
Electroacoustic Composition 10r
Variable form multiple movement or fixed single movement
for multiple stereo loudspeaker surround sound analogue diffusion (2011/12)
Acousmatic Chakras Earth Alternate Mix (Mp3)
Electroacoustic Composition 10r
Acousmatic Chakras
Electroacoustic Composition 10s
Variable form multiple movement or fixed single movement
for multiple stereo loudspeaker surround sound analogue diffusion (2011/12)
Acousmatic Chakras 1&2 Alternate Mix (Mp3)
Electroacoustic Composition 10s
Acousmatic Chakras
Electroacoustic Composition 10t
Variable form multiple movement or fixed single movement
for multiple stereo loudspeaker surround sound analogue diffusion (2011/12)
Acousmatic Chakras 2&3 Alternate Mix (Mp3)
Electroacoustic Composition 10t
Acousmatic Chakras
Electroacoustic Composition 10u
Variable form multiple movement or fixed single movement
for multiple stereo loudspeaker surround sound analogue diffusion (2011/12)
Acousmatic Chakras 4&5 Alternate Mix (Mp3)
Electroacoustic Composition 10u
Acousmatic Chakras
Electroacoustic Composition 10v
Variable form multiple movement or fixed single movement
for multiple stereo loudspeaker surround sound analogue diffusion (2011/12)
Acousmatic Chakras 5-7 Alternate Mix (Mp3)
Electroacoustic Composition 10v
Acousmatic Chakras
Electroacoustic Composition 10w
Variable form multiple movement or fixed single movement
for multiple stereo loudspeaker surround sound analogue diffusion (2011/12)
Acousmatic Chakras 2 NoSitarMix (Mp3)
Electroacoustic Composition 10w
Acousmatic Chakras
Electroacoustic Composition 10x
Variable form multiple movement or fixed single movement
for multiple stereo loudspeaker surround sound analogue diffusion (2011/12)
Acousmatic Chakras 4 NoSitarMix (Mp3)
Electroacoustic Composition 10x
Infinite Moment
Electroacoustic Composition 11
Single Movement for amplified orchestral piano and tape
Infinite Moment (EAS) Hamer Live 231112 (Mp3)
Electroacoustic Composition 11
Rotations and Resonances
Electroacoustic Composition 12
Single Movement for amplified string quartet, pre-composed tape,
amplified piano resonances and interactive concrete sound. (2012)
Rotations & Resonances (EAS) Smith Quartet Live 031212 (Mp3)
Electroacoustic Composition 12
Electroacoustic Chakras
Electroacoustic Composition 13a
Variable form multiple movement or fixed single movement for structured improvisation:
Version for vocals, bansuri, sarangi, tabla, interactive sound and fixed media. (2011/13)
Electroacoustic Chakras Meta Form Studio Master 2013 (Mp3)
Acoustic Composition 13a
Electroacoustic Chakras
Electroacoustic Composition 13b
Variable form multiple movement or fixed single movement for structured improvisation:
Version for vocals, bansuri, sarangi, tabla, interactive sound and fixed media. (2011/13)
Electroacoustic Chakras 6&7 (Voice) Sharma Live 231112 (Mp3)
Acoustic Composition 13b
Electroacoustic Chakras
Electroacoustic Composition 13c
Variable form multiple movement or fixed single movement for structured improvisation:
Version for vocals, bansuri, sarangi, tabla, interactive sound and fixed media. (2011/13)
Electroacoustic Chakras Prologue Alternate Mix (No Vocals) Studio 2013 (Mp3)
Electroacoustic Composition 13c
Electroacoustic Chakras
Electroacoustic Composition 13d
Variable form multiple movement or fixed single movement for structured improvisation:
Version for vocals, bansuri, sarangi, tabla, interactive sound and fixed media. (2011/13)
Electroacoustic Chakra 3 (Abridged) Studio 2013 (Mp3)
Electroacoustic Composition 13d
Electroacoustic Chakras
Electroacoustic Composition 13e
Variable form multiple movement or fixed single movement for structured improvisation:
Version for vocals, bansuri, sarangi, tabla, interactive sound and fixed media. (2011/13)
Electroacoustic Chakra 5 Alternate Mix (No Vocals) Studio 2013 (Mp3)
Electroacoustic Composition 13e
Electroacoustic Chakras
Electroacoustic Composition 13f
Variable form multiple movement or fixed single movement for structured improvisation:
Version for vocals, bansuri, sarangi, tabla, interactive sound and fixed media. (2011/13)
Electroacoustic Chakras Epilogue Studio 2013 (Mp3)
Electroacoustic Composition 13f
Chance Encounter
Electroacoustic Composition 14a
Variable form single movement for interactive 8-channel fixed media, or four movements on a relative theme
for multiple-stereo analogue surround-sound diffusion. (2010/13)
Chance Encounter (Acousmatic) Ground Canvas (Mp3)
Electroacoustic Composition 14a
Chance Encounter
Electroacoustic Composition 14b
Variable form single movement for interactive 8-channel fixed media, or four movements on a relative theme
for multiple-stereo analogue surround-sound diffusion. (2010/13)
Chance Encounter (Acousmatic) Speakers 1 & 2 (Mp3)
Electroacoustic Composition 14b
Chance Encounter
Electroacoustic Composition 14c
Variable form single movement for interactive 8-channel fixed media, or four movements on a relative theme
for multiple-stereo analogue surround-sound diffusion. (2010/13)
Chance Encounter (Acousmatic) Speakers 3 & 4 (Mp3)
Electroacoustic Composition 14c
Chance Encounter
Electroacoustic Composition 14d
Variable form single movement for interactive 8-channel fixed media, or four movements on a relative theme
for multiple-stereo analogue surround-sound diffusion. (2010/13)
Chance Encounter (Acousmatic) Speakers 5 & 6 (Mp3)
Electroacoustic Composition 14d
Chance Encounter
Electroacoustic Composition 14e
Variable form single movement for interactive 8-channel fixed media, or four movements on a relative theme
for multiple-stereo analogue surround-sound diffusion. (2010/13)
Chance Encounter (Acousmatic) Speakers 7 & 8 (Mp3)
Electroacoustic Composition 14e
Chance Encounter
Electroacoustic Composition 14f
Variable form single movement for interactive 8-channel fixed media, or four movements on a relative theme
for multiple-stereo analogue surround-sound diffusion. (2010/13)
Chance Encounter (Acousmatic) Stereo Mix-down (Version 1) (Mp3)
Electroacoustic Composition 14f
Rotations and Resonances Triptych (Part Three)
Electroacoustic Composition 15
Single movement of continuous sound for fixed concrete media (loudspeakers) (2012/15)
Rotations Part Three (Acousmatic) Studio Master 2015 (Mp3)
Electroacoustic Composition 15
Post-Electroacoustic Acousmatic Chakras
Electroacoustic Composition 16
Post-Electroacoustic Acousmatic Arrangement for multiple loudspeaker analogue diffusion
Post EAS Acousmatic Chakras Continual Form Master (Mp3)