Sound Pool Audio
Declaration and Copyright
This website offers access to a variety of scores composed for an eclectic range of acoustic instruments and ensembles, spanning from solos and duets through to chamber orchestra with percussion. This site also includes a collection of electroacoustic and acousmatic compositions with accompanying scores, audio and selections of sound samples for public access and potential use for student composers and researchers, along with sound samples from a small selection of recording projects that the composer has been involved with recently in his alter ego as a studio producer.
This research is made available for public access and peer review, but Dr. Ian Percy retains full ownership and copyright for all intellectual property, media resources and text, and should be formally accredited for any and all references to, or use of, these materials.
ianpercy.me.uk ©2019
Sound Pool Audio Zips ...
Mictlan
Audio Zip File
Electroacoustic Composition 1
A sound palette of 136 mono audio samples exploring the soundworld of the bass recorder used as the single sound source for this piece. The files are available to use as open access recordings for electroacoustic and acousmatic composers (73MB of 16bit Wave Audio).
Electroacoustic Composition 1
Electroacoustic Composition 1
An Individual Voice
Audio Zip File
Electroacoustic Composition 2
A sound palette of 84 mono audio samples exploring the soundworld of the child’s voice used as the single sound source for this piece. The files are available to use as open access source recordings for electroacoustic and acousmatic composers (171MB of 16bit Wave Audio).
Electroacoustic Composition 2
Electroacoustic Composition 2
The Bug
Audio Zip File
Electroacoustic Composition 3
A sound palette of 20 mono audio samples exploring the soundworld of the child’s voice used as the single sound source for this piece. The files are available to use as open access source recordings for electroacoustic and acousmatic composers (20 MB of 16bit Wave Audio).
Electroacoustic Composition 3
Electroacoustic Composition 3
Snake Eats Own Tail
Audio Zip File
Electroacoustic Composition 5
A sound palette of 69 mono audio samples exploring the soundworld of the clarinet. The files are available to use as open access source recordings for electroacoustic and acousmatic composers (53MB of 16bit Wave Audio).
Electroacoustic Composition 5
Electroacoustic Composition 5
Circular Rhythms and Natural Patterns
Audio Zip File
Electroacoustic Composition 6
A sound palette of 54 mono audio samples created from the soundworld of the clarinet used as the single sound source for this piece. The files are available to use as open access source recordings for electroacoustic and acousmatic composers (91MB of 16bit Wave Audio).
Electroacoustic Composition 6
Equidistance
Audio Zip File
Electroacoustic Composition 7
A sound palette of 40 mono audio samples prepared from the soundworld of a clarinet using equidistant pentatonic microtonality. These files are available to use as open access source recordings for electroacoustic and acousmatic composers (38 MB of 16bit Wave Audio).
Electroacoustic Composition 7
Electroacoustic Composition 7
Odd! Pianos
Audio Zip File
Electroacoustic Composition 8
A sound palette of 121 mono audio samples exploring the soundworld of a Steinway grand piano (recorded during 2002). These files are available to use as open access source recordings for electroacoustic and acousmatic composers (134MB of 16bit Wave Audio).
Electroacoustic Composition 8
Electroacoustic Composition 8
A Chill Breeze
Audio Zip File
Electroacoustic Composition 9
A sound palette of 42 mono audio samples exploring the soundworld of the orchestral harp used as the single sound source for this piece. The files are available to use as open access source recordings for electroacoustic and acousmatic composers (66 MB of 16bit Wave Audio).
Electroacoustic Composition 9
Electroacoustic Composition 9
Acousmatic Chakras
Audio Zip File
Electroacoustic Composition 10
A sound palette of 115 mono audio samples exploring the soundworld of the sitar used as the single sound source for this piece (recorded during 2011). The files are available to use as open access source recordings for electroacoustic and acousmatic composers (129MB of 16bit Wave Audio).
Electroacoustic Composition 10
Electroacoustic Composition 10
Infinite Moment
Audio Zip File
Electroacoustic Composition 11
A sound palette of 53 mono audio samples exploring the soundworld of the Steinway piano used as the single sound source for this piece (recorded during 2012). The files are available to use as open access source recordings for electroacoustic and acousmatic composers (90MB of 16bit Wave Audio).
Electroacoustic Composition 11
Electroacoustic Composition 11
Rotations and Resonances
Audio Zip File
Electroacoustic Composition 12
A sound palette of 78 mono audio samples exploring the soundworld of the violin used as the single sound source for this piece (recorded during 2012). The files are available to use as open access source recordings for electroacoustic and acousmatic composers (141MB of 16bit Wave Audio).
Electroacoustic Composition 12
Electroacoustic Composition 12
Electroacoustic Chakras
Audio Zip File
Electroacoustic Composition 13
A sound palette of 29 mono audio samples exploring the soundworld of the sitar. This specific collection of sounds is representative of the White Light that flows through, and is channelled by, the Chakras. The files are available to use as open access source recordings for electroacoustic and acousmatic composers (61MB of 16bit Wave Audio).
Acoustic Composition 13
Acoustic Composition 13
Chance Encounter
Audio Zip File
Electroacoustic Composition 14
A sound palette of 74 mono audio samples exploring the soundworld of the orchestral harp used as the single sound source for this piece. The files are available to use as open access source recordings for electroacoustic and acousmatic composers (136MB of 16bit Wave Audio).
Electroacoustic Composition 14